Left-Behind Situation, 1972
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
1400 x 780 x 300 cm
Installation view at Kinokuniya Gallery, Tokyo, 1972
Photo: Kishio Suga
Left-Behind Situation, 1972/1995
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Matter and Perception 1970: Mono-ha and the Search for Fundamentals, Hiroshima City Museum of Contemporary Art, 1995
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/1996
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Matter and Perception 1970: Mono-ha and the Search for Fundamentals, Musée d’art moderne Saint-Étienne, 1996
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/1997
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Kishio Suga, Hiroshima City Museum of Contemporary Art, 1997
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/2001
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Mono-ha: School of Things, Kettle's Yard, Cambridge, UK, 2001
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/2012
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Blum & Poe, Los Angeles, 2012
Courtesy BLUM, Los Angeles / Tokyo / New York
Left-Behind Situation, 1972/2013
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Connecting_Unfolding, National Museum of Modern and Contemporary Art, Seoul, 2013
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/2015
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
Dimensions variable
Installation view, Kishio Suga: Situated Latency, Museum of Contemporary Art, Tokyo, 2013
Photo: Tsuyoshi Satoh
Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, brick, zinc, bark, wire rope
Dimensions variable
Installation view, Karla Black and Kishio Suga; A New Order, Scottish National Gallery of Modern Art, Edinburgh, 2016
Photo: Sam Drake; Courtesy National Galleries of Scotland
Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
500 x 2400 x 2200 cm
Installation view, Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016
Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan
Left-Behind Situation, 1972/2016
捨置状況 (Shachi Jōkyō)
Wood, stone, wire rope
500 x 2400 x 2200 cm
Installation view, Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016
Photo: Agostino Osio; Courtesy Pirelli HangarBicocca, Milan
EXHIBITION HISTORY
Kinokuniya Gallery, Tokyo, 1972
Matter and Perception 1970: Mono-ha and the Search for Fundamentals, traveling exhibition: Museum of Fine Arts, Gifu; Hiroshima City Museum of Contemporary Art; Kitakyushu Municipal Museum of Art; Museum of Modern Art, Saitama, 1995; Musée d’art moderne Saint-Étienne, 1996 [The work was shown only in Gifu, Hiroshima, and Saint-Étienne]
Kishio Suga, traveling exhibition: Hiroshima City Museum of Contemporary Art, 1997; Itami City Museum of Art; Kanagawa Prefectural Gallery, Yokohama; Chiba City Museum of Art, 1998 [The work was shown only in Hiroshima]
Mono-ha: School of Things, traveling exhibition: Kettle’s Yard, Cambridge, England; Newlyn Art Gallery, England, 2001 [The work was shown only in Cambridge]
Kishio Suga, Blum & Poe, Los Angeles, 2012
Connecting_Unfolding, National Museum of Modern and Contemporary Art, Seoul, 2013
Kishio Suga: Situated Latency, Museum of Contemporary Art, Tokyo, 2015
Kishio Suga: Situations, Pirelli HangarBicocca, Milan, 2016
Karla Black and Kishio Suga: A New Order, Scottish National Gallery of Modern Art, Edinburgh, 2016
Collection
Glenstone Museum, Potomac, Maryland, USA