Law of Situation, 1971
状況律 (Jōkyōritsu)
Stones, plastic board, water
2100 x 240 x 50 centimeters
Installation view, 4th Modern Japanese Sculpture Exhibition, Ube City Open-Air Museum, Ube, 1971
Photo: Kishio Suga
Law of Situation, 1971/1995
状況律 (Jōkyōritsu)
Stones, plastic boards, bubble wrap, water
Dimensions unknown
Installation view, Matter and Perception 1970: Mono-ha and the Search for Fundamentals, Kitakyushu Municipal Museum of Art, Kitakyushu, 1995
Photo: Tsuyoshi Satoh
Law of Situation, 1971/2017
状況律 (Jōkyōritsu)
Stones, wood, plastic, water
Approximately 78 feet 8 7/8 inches x 9 feet 10 1/8 inches (2400 x 300 centimeters)
Installation view, 57th Venice Biennale, Italy, 2017
Photo: Joshua White/JWPictures.com
Courtesy Blum & Poe, Los Angeles / New York / Tokyo
Law of Situation, 1971/2017
状況律 (Jōkyōritsu)
Stones, wood, plastic, water
Approximately 78 feet 8 7/8 inches x 9 feet 10 1/8 inches (2400 x 300 centimeters)
Installation view, 57th Venice Biennale, Italy, 2017
Photo: Joshua White/JWPictures.com
Courtesy Blum & Poe, Los Angeles / New York / Tokyo
Law of Situation, 1971/2017
状況律 (Jōkyōritsu)
Stones, wood, plastic, water
Approximately 78 feet 8 7/8 inches x 9 feet 10 1/8 inches (2400 x 300 centimeters)
Installation view, 57th Venice Biennale, Italy, 2017
Photo: Joshua White/JWPictures.com
Courtesy Blum & Poe, Los Angeles / New York / Tokyo
EXHIBITION HISTORY
4th Contemporary Japanese Sculpture Exhibition, Ube City Open-Air Museum, Ube, 1971
Matter and Perception 1970: Mono-ha and the Search for Fundamentals, traveling exhibition: Museum of Fine Arts, Gifu; Hiroshima City Museum of Contemporary Art; Kitakyushu Municipal Museum of Art; Museum of Modern Art, Saitama, 1995; Musée d’art moderne, Saint-Étienne, 1996 [The work was shown only in Kitakyushu]
57th Venice Biennale, VIVA ARTE VIVA, Venice, Italy, 2017